For businesses
Images that look like you.
Most corporate photographs look like corporate photographs. They don’t have to — the same documentary attitude that works at weddings works on the shop floor.
I photograph for brands, studios and businesses in the region: people at work, products in their real surroundings, portraits without a stiff backdrop.
The difference from classic advertising photography is the approach. I don’t reconstruct what work might look like — I photograph what it does look like. What comes out is more credible and ages more slowly.
What for
From the website to the campaign.
Most often it is about material that carries for years: website, brochure, job adverts, social media. That needs fewer perfect single images than a series that belongs together.
So I prefer to work half a day or a full day at a stretch rather than tick off individual shots. What remains is a stock you can draw on for a long time.
- Team and staff portraits
- Reportage on site
- Products in their own surroundings
- Events and openings
- Image series for website and social media
Does that sound like your day?
Tell me about it →
How it runs
Understand first, photograph second.
Before every commission I ask what the images are needed for and where they will appear. A picture for a job advert needs something different from one for a product page — that is decided before the shutter, not after.
On the day itself I stay in the background. You work, I watch. In my experience the camera stops being noticed after twenty minutes, and from then on the images appear that don’t look like an appointment.
Usage rights
Without small print.
What you may do with the images we settle in writing beforehand — scope, duration, channels. I keep it lean but unambiguous, so nobody has to ask later.
Where staff are photographed, their consent is part of it. I bring the forms.
