The edition on paper
Something you hold in your hands.
A gallery is practical. An album is something else: it lies on the table, it gets leafed through, it outlives three hard-drive migrations.
Almost every image made today is never printed. It sits in a cloud that somebody will eventually cancel.
That is why paper is part of the work for me — not as an upsell but as the actual point. Images are made to be looked at, and nothing is looked at as often as a book within reach.
The album
Bound in linen, opening flat to the fold.
A wedding album isn’t a photo book from the chemist. It is a bound book with heavy pages that lies flat, so an image can run across the spread without disappearing into the gutter.
I propose the selection, you decide. Usually it is sixty to a hundred images — enough for a narrative, few enough that none of them drowns.
- Linen or fine velour cover
- Spreads without loss in the gutter
- Embossing with names and date
- Smaller editions for the parents
Does that sound like your day?
Tell me about it →
The prints
Single images, large enough for the wall.
Some frames don’t want a book but a wall. Fine-art prints on baryta or Hahnemühle paper have a depth in the blacks no screen can render — with black and white the difference is obvious.
To go with them there are portfolio boxes: a handful of prints in a case, to look through and pass around.
Prices
By scope, not off the shelf.
What an album costs depends on format, extent and binding. I’ll give you the prices once we have talked about the selection — before that it would be guesswork.
TODO(CORINNA): add concrete formats, page counts and price ranges once the suppliers are settled.
Inquiry
Would you like your images on paper?
Even years after the wedding — the files are with me, and an album can always be caught up on.